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　　More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院复仇的亚特兰大未来天后面纱下的那不勒斯灰色的果实两句话恐怖故事第二季美丽的妈妈英国佬心理游戏西行纪之宿命篇毕业派对旧货猎人第七季风流三侠内幕（粤语）最后的吸血鬼2009代孕在精油按摩中腰部弯曲的已婚女性德云社张九龄王九龙相声专场郑州站喋血边城绝对正义VS外道少女队草叶闪烁的西瓜西行客栈恺撒1999年中央电视台春节联欢晚会我们的师父寄至电视台的某段影像舒米高空中浩劫 第四季裂痕第三季三船敏郎：最后的剑客