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After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院校园乌托邦学美向前冲！商场枪击案在你成为野兽之前生存执照戏宇宙第三季刘易斯探案 试映集大王之梦死亡令我重生Doctor异乡人极限挑战第五季单身万岁第一季中国1945李洛夫奇案李慧娘春天的绞刑架爱情事件超级小郎中之降龙戒大叔的内裤穿什么都行电影版魔鬼藏在同意书帕顿·奥斯瓦尔特：尖叫有理丁度·巴拉斯精选短篇集之畸情会痛的十七岁哈拉加斯热衷谋杀教师情事火星生活第二季偷狗的完美方法爱·你别走关八战队2粉碎罪恶
After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院校园乌托邦学美向前冲！商场枪击案在你成为野兽之前生存执照戏宇宙第三季刘易斯探案 试映集大王之梦死亡令我重生Doctor异乡人极限挑战第五季单身万岁第一季中国1945李洛夫奇案李慧娘春天的绞刑架爱情事件超级小郎中之降龙戒大叔的内裤穿什么都行电影版魔鬼藏在同意书帕顿·奥斯瓦尔特：尖叫有理丁度·巴拉斯精选短篇集之畸情会痛的十七岁哈拉加斯热衷谋杀教师情事火星生活第二季偷狗的完美方法爱·你别走关八战队2粉碎罪恶