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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院权力之咒一枝光棍走天涯粤语一个人的乐队血腥之旅2：死者重生发财联盟心魔杀机之噬心术欲望的果实周五俱乐部16 热恋期喷气机男孩余命85分我的劲爆婚礼第一季狼女贝茜海军罪案调查处：夏威夷 第二季美国恐怖故事：邪教 第七季粉红蝴蝶暖暖内含光孽海痴魂人骨麻将心弦为君而鸣名侦探学院第六季你是我的命运东京妓院巴赫前的寂静拍档营业中玛丽·塞莱斯特的附魔张伯苓神秘工作海盗电台提亚拉之泪花季年华
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院权力之咒一枝光棍走天涯粤语一个人的乐队血腥之旅2：死者重生发财联盟心魔杀机之噬心术欲望的果实周五俱乐部16 热恋期喷气机男孩余命85分我的劲爆婚礼第一季狼女贝茜海军罪案调查处：夏威夷 第二季美国恐怖故事：邪教 第七季粉红蝴蝶暖暖内含光孽海痴魂人骨麻将心弦为君而鸣名侦探学院第六季你是我的命运东京妓院巴赫前的寂静拍档营业中玛丽·塞莱斯特的附魔张伯苓神秘工作海盗电台提亚拉之泪花季年华